If you have read the previous blog or seen some of the Instagram photos, you might have seen the new addition to my Fujifilm family, the Fujifilm X-Pro 1. But why go after a camera that was released back in March 2012, almost 10 years ago? It’s all rooted in my exploration of film photography. Films have this unique, nostalgic aesthetic that provokes the feeling of “the good old days”. I enjoy the colour rendering of the film but film photography is a dangerous game. We are talking about £10 a roll, with developing and scanning costs on top, let alone the price of a film camera these days. It adds up quickly. So I was intrigued when people are raving about the first-gen X-Trans sensor renders colours like film. For £200, I did not regret pulling the trigger.
|Sensor||23.6 x 15.6mm; 16.3MP (1.5x crop factor) APS-C X-Trans 1st Gen CMOS|
|Resolution||4896 x 3264|
|ISO (extended)||200 – 6400 (100 – 25,600)|
|Lens Mount||Fujifilm x mount|
|Shutter||1/4000 to 30 second|
|Storage||1x SD slot (SD/SDHC/SDXC)|
|Viewfinder||Hybrid multi-viewfinder (100% coverage in EVF)|
|Continuous shooting||6 FPS|
|Video||Full 1080p HD @ 24fps|
|Weight||400g (exclude battery)|
|Price at launch||£1429|
|Price @ 2021||£200-350 (depending on conditions) mpb.com / eBay|
Construction, style and handle
Fujifilm X-Pro1 was the first of the “pro” line aimed at the high-end photography market. It is very well built with a full magnesium alloy frame. The magnesium alloy allows the camera to be extremely lightweight. It was a bit of an odd feeling when I pick up the X-Pro 1 for the first time and felt how light it was compared to my X-T3. It was not weather-proofed but they handle Ireland’s condition just fine with me.
One thing I am a bit puzzled though is the tripod mount location. It is right next to the battery compartment which is also where your SD card lives. With the mount being so close to the battery flap, if you have installed a tripod plate, you won’t be able to open the battery compartment to change the battery or SD card without taking the plate off first. That’s just unnecessary faff…
One thing that the X-Pro line attracts me is its rangefinder-style design. The rectangular shape without the viewfinder hump makes the silhouette cleaner. The “showing your face while shooting” style do slowly grows on you. Something about showing your face makes you a bit more approachable and less intrusive as a photographer. One thing to remember though, it is a rangefinder STYLE camera, NOT a rangefinder camera. There is no rangefinder coupling to the viewfinder so you can’t manual focus with the OVF, you will have to switch to EVF to check if you are in focus. Although Fujifilm has made it relatively easy to do, just something to keep in mind.
Also, there are a lot of buttons at the back which made changing settings very easy. Although I am not sure about some of their placement. Such as the AF button for changing the AF point, is placed at the left bottom corner of the screen far away from somewhere you can reach with your right thumb for a quick selection change. Fujifilm also limits the customisation of the buttons. The up button is permanently set for “macro” mode and the left and right buttons are for shutter speed despite already having a dedicated shutter selection at the top. The only buttons you can customise is the Fn button and the down button which I have set ISO and WB selections.
As with all rangefinder camera, what you are seeing through the OVF is not exactly what your lens see because it’s off to the side. It creates something called the parallax effect. The effects are stronger when the subjects are closer to your camera. It ultimately affects your composition, therefore rangefinder is not for everyone.
This camera is created with photographer in mind. More specifically, street photographer. All of the features are photography focus. Even though it is capable of take video, it feels like more of an after thought.
X-Trans CMOS 1
One that has been regarded as “legendary” and “most film-like sensor”, the X-Pro 1 has the first generation X-Trans CMOS sensor. Compared to the “traditional” Bayer sensor, X-Trans doesn’t need the extra anti-aliasing filter which supposedly means it renders a sharper image. However, I am not after the “supposedly sharper” images because truth be told, I am not 100% convinced. If anything, possibly because of the low megapixel sensor, I feel the X-Pro 1 render images with this distinctive “softness” that I really like, more natural and less digital.
Another thing that people rave about is the “film-like” rendering. I have to say, I am very impressed, so much so that I only shoot JPEG with the X-Pro 1. The colour, highlight from this sensor has this unique, natural roll off that reminds me of film. High ISO performance is of course not as good as the newer model, but that’s what I was looking for as well. Because of the X-Trans having a more random colour filter array pattern, the grain it produces has a more organic look to it and more comparative to film than the digital noise.
It is slow. We have come to expect split-second AF, eye tracking and all these advances over the years. So deprived of all the technological advancement, X-Pro 1 AF system is of course expected to be slow. Even with my XF 35mm F2, the X-Pro 1 takes time to focus and have to hunt a bit before deciding on the subject. When I had the 7Artisans 25mm F1.8 lens on, I sometimes find manual focus can be faster than the autofocus.
It is a bad point if you are after a “modern” camera that has all the fancy AF system, you shouldn’t be looking for a 10-year-old camera anyway. But because the AF is slow, it forces you to be slow and more intentional. It actually compliments the “film camera experience” even better.
As I said above, it is a rangefinder-style camera, not a rangefinder. Therefore you cannot manually focus with the OVF and have to rely on the EVF. The focus peaking feature is certainly welcomed, but unlike the newer camera that you can choose focus peaking colour, X-Pro 1 comes with the white line. It is very difficult to see especially in broad daylight. It is only helpful if you are shooting black and white or nighttime photography. Other times, the 3x or 10x focus magnifier which you can bring up by pressing the thumbwheel is much better to help with focus check.
XF lens mount
Fuji X mount is such a versatile mount. Fujifilm has already had decent selections of native Fujinon lenses. And with the popularity of Fujifilm grows and X-Mount opening up to 3rd party lenses for AF, there will only be more and more reasonably priced lenses that produce a tremendously amazing image. Apart from the AF lenses, MF prime lenses also complement the small camera body very well. In fact, you can adapt the vintage lenses from your film camera on the X-Pro 1, get the best of both film and the digital world. A slow film-like shooting experience, but don’t have to sell your kidney for film stocks.
|Rangefinder-style||No weather seal|
|Hybrid EVF||Minimal customisation on buttons|
|Legendary X-Trans 1 – a film-like colour and grain||Parallax effect from rangefinder style|
|Slow and intentional like a film camera||In the digital world, it’s ancient|
|<£300||Video feature feels like an afterthought|
In the digital camera world, 9 years is a very long time. The technology advancement can be light-years apart. Despite that, Fujifilm X-Pro1 stands in a unique position that we are seeing prices go up rather than down in recent years. With film photography being more popular again, X-Pro 1 has been identified to be the most “film-like” digital camera. From the image it renders with its X-Trans 1 sensor to the whole shooting experience with its rangefinder styling and tactile buttons and dials, it has the same attraction as film photography attracts the newer generation photographer. It slows us down in the manic world. Obviously, the film-like colour and grain rendering also appeal to the trend. To complete the feel, you can even find a 1GB SD card and limit yourself to 36 exposure. I find myself recently picking up the X-Pro1 more than my X-T3. It’s not because the X-T3 can’t do what the X-Pro1 can, it’s quite the opposite. I don’t always need the extra power from the X-T3, on my day-to-day life documentary work, I want to strip it back down to the bare minimum, enjoy the process and be more intentional.