Recently analogue photography has been a very popular topic in the photography world, especially among the millennials and Gen Z. I am not going to dive into the reason for this, although might be an interesting topic for the future post. As millennials who take photos in my spare time, I can’t miss out on all the fun.
Point and shoot film camera has been very popular among film photographer. Given their small and compact size, you can always have one by your side. Their main purpose is to capture those day to day memories and film is one of those medium that almost makes you feel those memories. Along with the skyrocketing demand, the price for a decent film camera has also followed suit. I was in the market for a playful point and shoot camera at the time. And speaking of point and shoot film camera, Olympus MJU II and Contax T2 and always comes up in the conversation. Contax T2 is a very attractive little thing that carries an amazing 35mm F2.8 Zeiss lens. But after Kendall Jenner was seen using them, they cost about a kidney plus your sister’s dowry. So second option, Olympus MJU II with their award winning 35mm F2.8. They were fishing close to £200 as well which was still too much for me to justify. Okay… what’s the third option? That’s when I come across the Olympus AF-1 which carry the same 35mm F2.8 lens as the MJU II. With some luck, I managed to get a mechanically mint AF-1 Super off eBay for £30.
History and Spec
Olympus AF-1 Super is the upgraded version of AF-1 (or in the US, Olympus Infinity). AF-1 was introduced in 1986 as the first weatherproof automatic 35mm compact film camera hence the Japanese nickname “Nurepika” (wet flash). Then AF-1 Super was released in 1991 with some upgraded features such as 50cm minimal focal distance instead of 75cm, faster flash recharge, ability to disable the flash and 4 frames continuous shooting of 1fps (not really sure what it’s for, to be honest).
Point and shoot cameras in Hong Kong is called 傻瓜機 – meaning idiot machine. It is true to an extent that point and shoot cameras are idiot-proof. Autofocus, auto-exposure, auto-flash, auto-wind and re-wind and autoload. Everything is decided for you, all you need to do is, as it says on the tin, point and shoot. With a few quirks, the more I use the AF-1, the more I like this idiot.
AF-1 Super has this bubbly design to it, away from the boxy, hard-line style of the AF-1. Thicker and heavier than the MJU II but it actually feels really nice to hold. I like their sliding door mechanism. First, it means that less electronic components to move the lens in and out of the body and therefore one less thing that can fail. Second, it covers the viewfinder as well so you won’t embarrass yourself trying to take a picture when the camera is off. Third, it allows quick one-hand operation and always ready to go. Incorporating the essence of a point and shoot camera perfectly.
The lens that the AF-1 Super carries is what attracts me. 35mm is a perfect focal length for day-to-day, documentary-style photography and is exactly what a point and shoot camera is for. Olympus won 5 awards in 1997 with this fast and sharp prime lens on the MJU II body. Although they are essentially the same lens, I think the AF-1 series have an additional protective coating at the front which depends on your view can be good and bad. One of the things I like about film photography is that not everything is tack sharp, so I almost welcome that extra layer. But I find in reality, the coating is only a potential threat and the image still as crisp as your fresh trimmed hairline.
The most important manual option – no flash
AF-1 Super is fully automatic from start the finish, but one thing that I picked Super over the standard is the option for disabling the flash. I don’t actually mind the hard flash look, it is fashionable at the moment for their nostalgic feel. But for example, you won’t want it to flash while you are shooting through a glass window or trying to be discreet for street photography. They also have an option for the less powerful “fill-in” flash.
AF-1 Super autofocus only comes with centre focusing. It means it will only focus on things that you place in the centre of the viewfinder, AF-1 has a separate focus lock button while AF-1 Super doesn’t. It relies on half-pressing the shutter. Truth be told, the travel in this shutter button is pretty shallow, so it does take some finger control to keep it at that sweet spot… (Ummm… why does it sound a bit strange) In a couple of occasions where either I took a picture by accident or it refocuses and my subject turned out to be out of focus. It can get a bit frustrating but that’s part of the fun in film photography.
Loud film advancing
Don’t use this point and shoot to take photos of your baby or your struggle to get them to sleep will never end. AF-1 Super has probably one of the loudest film advancing mechanism out there. I am starting to think that as they were designed in Japan, it was to deter creeps sneak-shotting someone.
Film photography is an expensive exercise with the recurring cost of buying, developing and scanning films. And with the price for film cameras skyrocketing while my boss won’t even give me a pay raise that at least keep up with inflation, entry for film photography is getting more out of reach by the second. With pure luck, I came across this hidden gem for less than £50. I did a quick look on eBay, the cheapest nowadays are asking for £70 with the majority of them going for £90-150. If you can look past some of its quirks like the loud film advancing mechanism and the CR-P2 battery is a bit awkward to find, it is one extremely adorable little camera. If you just want to dip your toes in the film photography world but don’t want to sell your house, this is a very solid option if you manage to find one around the £50 range. This camera still put a smile on me every time I get it out for a spin.